What’s on JSTOR

JSTOR brings together peer‑reviewed journals, scholarly ebooks, primary sources, and millions of images on one trusted platform. As a nonprofit partner to libraries, museums, and publishers, we curate and preserve content so links remain stable, and citations stay reliable. 

You can use JSTOR to support teaching, power research, and give learners reliable paths from ideas to evidence.

Collage of scholarly materials including books, journal pages, artwork, manuscripts, photographs, and historical documents from diverse cultures and time periods.

12M+

Academic journal articles

158K+

Scholarly books

2M+

Images and multimedia items

Explore JSTOR collections

Open and free content

Find journals, books, and primary sources that anyone can read and share. This includes Reveal Digital collections, books included in our Path to Open program, and Open Artstor images. JSTOR lets you use stable links in syllabi, guides, and outreach.

A drawing of an open sketchbook and a folded technical blueprint. The book’s pages are rough and brown-edged, while the unfolded sheet shows a detailed mechanical diagram with circular grids and curved lines, resembling machinery or an engine part, rendered in fine pencil and shaded tones of beige and gray.
Journals

Search a vast archive of 2,800+ academic journals across the humanities, social sciences, and sciences. Coverage often extends to first issues, and is preserved for long‑term access. Stable URLs and rich citation data make assigning readings and building bibliographies straightforward for courses and research projects.

A Cubist painting composed of overlapping geometric shapes and fragments suggesting a breakfast table with cups, bottles, and a green newspaper titled Le Journal. The composition features sharp angles and bold colors of green, blue, beige, and red.
Books

Books at JSTOR features 158,000+ DRM-free academic ebooks from 340+ scholarly publishers, including 13,000+ open access titles. Chapters appear in search alongside related articles, images, and primary sources, so readers can move quickly from overview to supporting evidence. With reliable linking to simplify course adoption and research workflows.

Three bound volumes of The Comic Almanack with red leather spines and marbled covers stand upright beside an open book showing a colorful illustrated page. The page depicts a lively 19th-century crowd scene with banners and caricatured figures, featuring ornate period costumes and detailed linework.
Primary sources

Work with rare and unique materials from libraries, archives, and museums, preserved for the long term, and discoverable alongside secondary sources on the same platform.

A red-and-white illustrated poster showing women engaged in domestic and factory work. The central figure stands between scenes of housework and assembly-line labor, surrounded by dishes, laundry, and tools, with large text reading “A Woman’s Work Is Never Done.”

Licensed primary source collections

Curated collections including Global Plants, 19th Century British Pamphlets, Struggles for Freedom: Southern Africa, and World Heritage Sites: Africa are produced with libraries, archives, and publishers for advanced coursework and scholarship.

A colorful print showing stylized human figures, birds, and fish arranged symmetrically. Four human faces in patterned clothing frame two central figures who smile at each other. Above them, two birds extend their wings, and below, two large fish face one another with open mouths. The background features organic shapes and flowing lines in black, yellow, blue, and gold tones.

Shared collections

Community‑contributed collections hosted by partner institutions through JSTOR’s Digital Stewardship Services, featuring images, rare books, ephemera, and more. These collections increase the reach of campus and regional history and unique archives.

A young Black boy sits beside a statue of Abraham Lincoln, holding a protest sign reading “The Law” with a drawing of a Ku Klux Klan hooded figure. The handwritten caption below reads “Support Alabama 1963.”

Reveal Digital

Open access collections centering on underrepresented 20th-century voices of dissent. Projects are guided and funded by a community of libraries and archives, and new material is made available over time.

Images

Access 2+ million high-quality images from museums, archives, and scholarly collections worldwide. Each record includes source and rights information for education. Search images together with text to build visual context and stronger arguments.

Still life of assorted ceramic and metal vessels arranged on a wooden shelf against a warm orange background, including cups, bowls, jugs, and vases in muted earth tones and blues.
Research reports

Read 80,000+ open access research reports written by scholars and subject experts from 187 think tanks. The reports distill emerging scholarship into clear overviews that support literature reviews, policy context, and classroom discussion.

Bright red Olivetti “Valentine” typewriter with black keys and a sleek, modern plastic casing, shown angled on a white surface.

Explore all that’s available on JSTOR

See the full breadth of JSTOR’s collections and tools on a single platform for research and instruction. Start searching now or review options for libraries and educators.

Research and teaching tools

JSTOR includes tools that help learners organize work and help instructors design effective assignments.

Save and annotate items in Workspace, explore ideas with an AI research tool that cites its sources, and connect available metadata for text analysis projects.

Stylized drawing of an owl-like figure with large round eyes, flanked by two brightly colored birds whose bodies curve inward to frame its head. The artwork uses smooth gradients of blue, orange, red, and yellow.

In practice

Learn how libraries, educators, and students use JSTOR to connect knowledge and inspire discovery.

A garden gnome with a red hat and blue coat sits among piles of old photographic slides, waving with one hand.
Primary sources

Charting the course of digital art history: University of California San Diego Library from Artstor to JSTOR

Explore how UC San Diego Library built a transformative 200,000-image digital collection for Artstor, its impact over two decades, and how the Visual Arts Legacy Collection enters a new chapter on JSTOR.

Watercolor painting of stormy skies and windswept palm trees above seaside rooftops, capturing the tension and atmosphere of an approaching hurricane.
Access

How Brian D. McLean wrote Our Global Crisis with cross-disciplinary research and JSTOR

Author Brian D. McLean argues that modern society is at a tipping point and answers with evidence. With JSTOR, he built a transparent, unbiased research process that verifies before it concludes.

Printed Photograph of Deer from National Geographic. Includes Handwritten Notes on Reverse, Including Hebrew Text and Sketches of Male Head and Star of David. Documents. Sidney M. Hirsch Collection.
Digital stewardship

Moving beyond DIY: How Vanderbilt and UDC scaled stewardship with JSTOR

Vanderbilt University and the University of the District of Columbia moved from self-hosted systems to JSTOR Digital Stewardship Services, transforming digital stewardship from a technical challenge into a scalable, mission-driven practice.

A still life painting depicting an ornate table covered with patterned fabric, piled high with open and closed books, sheet music, a flute, a pewter mug, and other scholarly items.
AI and advanced technologies

Your time constraints are our concern: How JSTOR’s AI research tool maximizes efficiency

Educators Bess Wilhelms and Steve Hermann use JSTOR’s AI research tool to save time, plan lessons, and boost student engagement through accurate, trusted insights.

A collage showing JSTOR’s AI Research Tool interface with summarized text, a marble bust of a Roman man, and buttons labeled Summarize, Show related content, and Recommend topics.
AI and advanced technologies

Bridging access with JSTOR’s AI research tool

For Yuimi Hlasten—both a librarian and international student—JSTOR’s AI research tool became a bridge to understanding. By helping her organize and synthesize sources efficiently, it allowed her to balance work and study while empowering students to find their academic voice.

A luminous landscape painting of Yosemite Valley by Albert Bierstadt, showing towering granite cliffs, sunlit clouds breaking over a mountain range, and two small figures with a horse beside a reflective river in the foreground.
Teaching

Make the most of your JSTOR experience with Workspace

When art historian and instructor Sienna Weldon discovered JSTOR’s Workspace, her research process transformed. What began as a simple bookmarking tool became a powerful, intuitive way to organize, annotate, and revisit materials—all in one place. Now, Sienna uses Workspace not only to streamline her own projects but also to empower students to approach research with confidence and curiosity.

Access everything JSTOR has to offer

JSTOR provides trusted, interdisciplinary content and research technologies designed to support research, teaching, and discovery across your institution. Complete the form to discuss options tailored to your needs.

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Journals
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Collage of scholarly materials including books, journal pages, artwork, manuscripts, photographs, and historical documents from diverse cultures and time periods.

Peruvian. Female Figure. 100 BC-700. Part of Open: The Cleveland Museum of Art, Artstor. https://www.jstor.org/stable/community.24621028.

Vincent C. H. Tong, Alex Standen, and Mina Sotiriou, eds. Shaping Higher Education with Students. Published March 6, 2018. https://doi.org/10.2307/j.ctt21c4tcm.

Lisa Marie Rhody and Susan Schreibman, eds. Feminist Digital Humanities: Intersections in Practice. University of Illinois Press, 2025.

The Invention of Musical Instruments from the Intestines of a Monkey, from a Tuti-Nama (Tales of a Parrot): Fourteenth Night. Tuti-Nama (Tales of a Parrot). c. 1560. Part of Open: The Cleveland Museum of Art, Artstor. https://www.jstor.org/stable/community.24605543.

Sari Lindblom and Jukka Kola. “The Importance of Evidence–Based Development of Teaching and Learning at University.” In Places of Engagement: Reflections on Higher Education in 2040 – A Global Approach, edited by Armand Heijnen and Rob van der Vaart, 76–81. Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctvfjd0xs.14.

Alert Americans Association Broadside “Martin Luther King…At Communist Training School”, 1963 July 8, Item 01. Documents. Alert Americans Association Broadside “Martin Luther King…At Communist Training School”, 1963 July 8, 1963. Part of Alert Americans Association broadside “Martin Luther King…At Communist Training School” (Atlanta History Center), “Series: African American,” Behind the Scenes of the Civil Rights Movements, Reveal Digital. https://jstor.org/stable/community.35562234.

Mexican. Head. c. 600–900. Part of Open: The Cleveland Museum of Art, Artstor. https://www.jstor.org/stable/community.24588724.

Richard Saller, Elaine Treharne, Franco Moretti, Joshua Cohen, and Michael A. Keller. “The Humanities in the Digital Age.” Bulletin of the American Academy of Arts and Sciences 67, no. 3 (2014): 25–35. https://www.jstor.org/stable/26406523.

Tsukioka Yoshitoshi. Collection of Desires, Wish for Foreign Travel (Mitate Tai Zukushi-Yōkō Ga Shitai). January, 1878. Part of Open: The Metropolitan Museum of Art, Artstor. https://www.jstor.org/stable/community.18692978.

Hilde Teerlinck, Irena Aristizabal, and Pichaya Suphavanij. “You Are Not Alone,” Exhibition Catalogue, Bangkok Arts and Cultural Centre. Catalogs. Bangkok, Thailand: Bangkok Arts and Culture Centre, 2012. https://www.jstor.org/stable/community.37908549.

Jeanne Philiberte Ledoux. Portrait of a Man. ca. 1790. Part of Open: The Metropolitan Museum of Art, Artstor. https://www.jstor.org/stable/community.18629792.

“Pan-African Journal.” Pan-African Journal 9, no. 3 (January 1, 1976). https://jstor.org/stable/community.39990673.

“The Black Dispatch.” Black Dispatch, The 38, no. 4 (February 9, 1952). https://jstor.org/stable/community.38788036.

A drawing of an open sketchbook and a folded technical blueprint. The book’s pages are rough and brown-edged, while the unfolded sheet shows a detailed mechanical diagram with circular grids and curved lines, resembling machinery or an engine part, rendered in fine pencil and shaded tones of beige and gray.

Ion Bitzan. Carte Cu Desen Tehnic. 1993. Part of Open: Ion Bitzan, Artstor.

A Cubist painting composed of overlapping geometric planes in green, blue, beige, and red, forming a fragmented breakfast scene with recognizable elements such as cups, a coffee pot, and a newspaper labeled Le Journal.

Juan Gris. Detail: Breakfast (Le Petit Déjeuner). October 1915. Part of Réunion des Musées Nationaux (RMN), Artstor.

Three bound volumes of The Comic Almanack with red leather spines and marbled covers stand upright beside an open book showing a colorful illustrated page. The page depicts a lively 19th-century crowd scene with banners and caricatured figures, featuring ornate period costumes and detailed linework.

George Cruikshank. Comic Almanack : An Ephemeris in Jest and Earnest, Containing “All Things Fitting for Such a Work.” 1835-1853. Part of George Cruikshank (from the Norman M. Fox Collection of Illustrated Books), Skidmore College.

A red-and-white illustrated poster showing women engaged in domestic and factory work. The central figure stands between scenes of housework and assembly-line labor, surrounded by dishes, laundry, and tools, with large text reading “A Woman’s Work Is Never Done.”

A Woman’s Work Is Never Done. n.d. Part of South African History Archive Posters, Struggles for Freedom: Southern Africa.

A colorful print showing stylized human figures, birds, and fish arranged symmetrically. Four human faces in patterned clothing frame two central figures who smile at each other. Above them, two birds extend their wings, and below, two large fish face one another with open mouths. The background features organic shapes and flowing lines in black, yellow, blue, and gold tones.

Kenojuak Ashevak and Aoudla Pudlat (printer). Women Speak of Spring Fishing. 1991. Part of Canadian Inuit Prints, Drawings, and Carvings, St. Lawrence University.

A young Black boy sits beside a statue of Abraham Lincoln, holding a protest sign reading “The Law” with a drawing of a Ku Klux Klan hooded figure. The handwritten caption below reads “Support Alabama 1963.”

Phiz Mezey. Child Holding Picket Sign While Sitting on the Lap of Lincoln Monument Outside City Hall. January 1, 1963. Part of Phiz Mezey Photographs and Papers (San Francisco History Center, San Francisco Public Library), Behind the Scenes of the Civil Rights Movements, Reveal Digital.

Still life of assorted ceramic and metal vessels arranged on a wooden shelf against a warm orange background, including cups, bowls, jugs, and vases in muted earth tones and blues.

William Bailey. Mercatale Still Life. 1981. Part of The Museum of Modern Art: Painting and Sculpture, Artstor.

Bright red Olivetti “Valentine” typewriter with black keys and a sleek, modern plastic casing, shown angled on a white surface.

Ettore Sottsass, Jr. and Perry A. King. Valentine Portable Typewriter and Case. 1969. Part of RISD Museum (Rhode Island School of Design), Artstor.

Stylized drawing of an owl-like figure with large round eyes, flanked by two brightly colored birds whose bodies curve inward to frame its head. The artwork uses smooth gradients of blue, orange, red, and yellow.

Kenojuak Ashevak. Curious Intruder. 2009. Part of Canadian Inuit Prints, Drawings, and Carvings, St. Lawrence University.