Open and free content on JSTOR

Our partnerships with libraries and publishers help us make content discoverable and freely accessible worldwide.

Featuring journals, books, primary sources, and images that anyone can access—curated with libraries, museums, and publishers to support research, teaching, and discovery.

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Explore open content

JSTOR’s open content program continues to grow rapidly—expanding access to journals, books, primary sources, images, and research reports. With new open collections contributed by libraries, archives, museums, and publishers, JSTOR now offers one of the broadest and most diverse sets of openly accessible scholarly materials available. This growth strengthens research, supports teaching, and expands equitable access to scholarship worldwide.

Open journals

JSTOR’s open access journals span the humanities, social sciences, and sciences—and the collection keeps growing. Beyond thousands of OA journals added in the past year, you can freely access our Early Journal Content, including articles published 95+ years ago in the U.S. and 143+ years ago internationally.

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Open books

Discover thousands of DRM-free open access ebooks from leading scholarly publishers, including titles from Path to Open, and Spanish-language collections from Latin American partners.

Three bound volumes of The Comic Almanack with red leather spines and marbled covers stand upright beside an open book showing a colorful illustrated page. The page depicts a lively 19th-century crowd scene with banners and caricatured figures, featuring ornate period costumes and detailed linework.

Open primary sources

Access open primary source collections from libraries, archives, and Reveal Digital projects focused on underrepresented voices.

A colorful print showing stylized human figures, birds, and fish arranged symmetrically. Four human faces in patterned clothing frame two central figures who smile at each other. Above them, two birds extend their wings, and below, two large fish face one another with open mouths. The background features organic shapes and flowing lines in black, yellow, blue, and gold tones.

Shared collections

Browse collections contributed by partner institutions through JSTOR’s Digital Stewardship Services, featuring images, rare books, ephemera, and more. These collections increase the reach of campus and regional history and unique archives.

A young Black boy sits beside a statue of Abraham Lincoln, holding a protest sign reading “The Law” with a drawing of a Ku Klux Klan hooded figure. The handwritten caption below reads “Support Alabama 1963.”

Reveal Digital

These open access collections are centered on underrepresented 20th-century voices of dissent. Projects are guided and funded by a community of libraries and archives, and new material is made available over time.

Open images and media

JSTOR now hosts nearly one million open images from museums and cultural institutions such as the Metropolitan Museum of Art and the Wellcome Collection. These public collections support visual analysis, assignments, and multidisciplinary teaching.

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Open research reports

Read more than 80,000 open access research reports from 187 think tanks—covering global policy, economics, education, public health, and emerging scholarship. The reports distill emerging scholarship into clear overviews that support literature reviews, policy context, and classroom discussion.

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Open scholarship via JSTOR Daily

JSTOR Daily connects academic research with current and historical events, offering free articles grounded in peer-reviewed scholarship on JSTOR. Wherever you see the “J” icon, you’ll find links to freely accessible research.

Explore JSTOR Daily stories connected to:

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Get more from open content

Create a free personal account to unlock even more ways to access and use open content on JSTOR.

Registered users can read online for free, organize content in Workspace, and access up to 100 free articles every 30 days.

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Search a world of open and free scholarship, from journals and books to primary sources and images contributed by libraries, archives, and museums.

In practice

Learn how libraries, educators, and students use JSTOR to connect knowledge and inspire discovery.

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Primary sources

Charting the course of digital art history: University of California San Diego Library from Artstor to JSTOR

Explore how UC San Diego Library built a transformative 200,000-image digital collection for Artstor, its impact over two decades, and how the Visual Arts Legacy Collection enters a new chapter on JSTOR.

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Access

How Brian D. McLean wrote Our Global Crisis with cross-disciplinary research and JSTOR

Author Brian D. McLean argues that modern society is at a tipping point and answers with evidence. With JSTOR, he built a transparent, unbiased research process that verifies before it concludes.

Printed Photograph of Deer from National Geographic. Includes Handwritten Notes on Reverse, Including Hebrew Text and Sketches of Male Head and Star of David. Documents. Sidney M. Hirsch Collection.
Digital stewardship

Moving beyond DIY: How Vanderbilt and UDC scaled stewardship with JSTOR

Vanderbilt University and the University of the District of Columbia moved from self-hosted systems to JSTOR Digital Stewardship Services, transforming digital stewardship from a technical challenge into a scalable, mission-driven practice.

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AI and advanced technologies

Your time constraints are our concern: How JSTOR’s AI research tool maximizes efficiency

Educators Bess Wilhelms and Steve Hermann use JSTOR’s AI research tool to save time, plan lessons, and boost student engagement through accurate, trusted insights.

A collage showing JSTOR’s AI Research Tool interface with summarized text, a marble bust of a Roman man, and buttons labeled Summarize, Show related content, and Recommend topics.
AI and advanced technologies

Bridging access with JSTOR’s AI research tool

For Yuimi Hlasten—both a librarian and international student—JSTOR’s AI research tool became a bridge to understanding. By helping her organize and synthesize sources efficiently, it allowed her to balance work and study while empowering students to find their academic voice.

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Teaching

Make the most of your JSTOR experience with Workspace

When art historian and instructor Sienna Weldon discovered JSTOR’s Workspace, her research process transformed. What began as a simple bookmarking tool became a powerful, intuitive way to organize, annotate, and revisit materials—all in one place. Now, Sienna uses Workspace not only to streamline her own projects but also to empower students to approach research with confidence and curiosity.

Access everything JSTOR has to offer

JSTOR provides trusted, interdisciplinary content and research technologies designed to support research, teaching, and discovery across your institution. Complete the form to discuss options tailored to your needs.

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View image credits from this page
A soft, luminous painting of a sky filled with billowing white and gray clouds tinged with pink and blue. Four small birds glide through the air above a faint strip of blue horizon at the bottom.

John Constable. Cloud Study. 1821. Part of Yale Center for British Art, Artstor.

A Cubist painting composed of overlapping geometric planes in green, blue, beige, and red, forming a fragmented breakfast scene with recognizable elements such as cups, a coffee pot, and a newspaper labeled Le Journal.

Juan Gris. Detail: Breakfast (Le Petit Déjeuner). October 1915. Part of Réunion des Musées Nationaux (RMN), Artstor.

Three bound volumes of The Comic Almanack with red leather spines and marbled covers stand upright beside an open book showing a colorful illustrated page. The page depicts a lively 19th-century crowd scene with banners and caricatured figures, featuring ornate period costumes and detailed linework.

George Cruikshank. Comic Almanack : An Ephemeris in Jest and Earnest, Containing “All Things Fitting for Such a Work.” 1835-1853. Part of George Cruikshank (from the Norman M. Fox Collection of Illustrated Books), Skidmore College.

A colorful print showing stylized human figures, birds, and fish arranged symmetrically. Four human faces in patterned clothing frame two central figures who smile at each other. Above them, two birds extend their wings, and below, two large fish face one another with open mouths. The background features organic shapes and flowing lines in black, yellow, blue, and gold tones.

Kenojuak Ashevak and Aoudla Pudlat (printer). Women Speak of Spring Fishing. 1991. Part of Canadian Inuit Prints, Drawings, and Carvings, St. Lawrence University.

Still life of assorted ceramic and metal vessels arranged on a wooden shelf against a warm orange background, including cups, bowls, jugs, and vases in muted earth tones and blues.

William Bailey. Mercatale Still Life. 1981. Part of The Museum of Modern Art: Painting and Sculpture, Artstor.

A young Black boy sits beside a statue of Abraham Lincoln, holding a protest sign reading “The Law” with a drawing of a Ku Klux Klan hooded figure. The handwritten caption below reads “Support Alabama 1963.”

Phiz Mezey. Child Holding Picket Sign While Sitting on the Lap of Lincoln Monument Outside City Hall. January 1, 1963. Part of Phiz Mezey Photographs and Papers (San Francisco History Center, San Francisco Public Library), Behind the Scenes of the Civil Rights Movements, Reveal Digital.

Bright red Olivetti “Valentine” typewriter with black keys and a sleek, modern plastic casing, shown angled on a white surface.

Ettore Sottsass, Jr. and Perry A. King. Valentine Portable Typewriter and Case. 1969. Part of RISD Museum (Rhode Island School of Design), Artstor.

Stylized painting of a woman reclining in a chair while reading a colorful, abstract newspaper, with bold geometric shapes filling the pages and a mug on the table beside her.

Hussein Madi. The Newspaper. Second Generation Modern Artists (1925–1950). Part of BeMA Collection, Rice University.

Close-up of a drawer panel showing engraved bamboo and floral designs on shimmering mother-of-pearl inlay with a round shell pull.

Korean. Small Chest of Drawers Decorated with Flowers, Birds, and Insects. early 20th century. Part of Open: The Metropolitan Museum of Art, Artstor.