Skip to Main Content

Blog Topic: Highlights

March 9, 2017

New ways of seeing Warhol – new collections in the Artstor Digital Library

Michael Hermann, Director of Licensing at The Andy Warhol Foundation for the Visual Arts, explains how the Foundation’s collections in the Artstor Digital Library provide a comprehensive view of Warhol’s cultural impact–as well as insight into his personal life. Thirty years after his death, Andy Warhol (1928-1987) remains one of the most influential figures in contemporary […]

Continue reading

January 28, 2017

Frederic Edwin Church’s The Icebergs and the tragedy of the Arctic sublime

The search for the Northwest passage, an arctic maritime route connecting the Atlantic and Pacific Oceans, drove European exploration of the North for hundreds of years. The search was exceedingly treacherous--pack ice, the floating ice covering the sea, made arctic waters impassable throughout most of the year and explorers perished in harsh conditions--but the danger and beauty of the unknown North enchanted an adventure-hungry public. Artists were similarly enamored, creating resplendent paintings that represented a sublime view of an Arctic that has gradually crumbled (or more accurately, melted) over the past century as global warming wreaks havoc on the icy seas.

Continue reading

December 15, 2016

Artstor searches highlight women

In in the vast, global virtual museum of the Artstor Digital Library, women are rising to the top. Our recent use statistics reveal that portraits and likenesses of the fairer sex (your interpretation…) dominate. The subject of women prevailed among the top 20 hits, with, you guessed it, Leonardo’s Mona Lisa, c. 1505, his serene […]

Continue reading

December 15, 2016

Ongoing project: New Hampshire Institute of Art’s Thom Adams photograph collection

Editor’s note: this post has been updated to reflect changes to Artstor’s platform. This fall, the New Hampshire Institute of Art published a first selection of 22 images from its Thom Adams Photograph Collection in Artstor’s public collections. The collection, a gift from 2011, includes around 300 original photographic prints by world class photographers of […]

Continue reading

December 14, 2016

The New York art world: the 2000s

The Larry Qualls Archive of Contemporary Art surveys almost three decades of work exhibited in the New York area from 1988-2012. In this post, we consider the personalities and forces that dominated the art world in the 2000s. See also the 1980s and the 1990s. The beginning of the 21st century was an especially auspicious […]

Continue reading

December 13, 2016

The New York art world: the 1990s

The Larry Qualls Archive of Contemporary Art surveys almost three decades of work exhibited in the New York area from 1988-2012. In this post, we consider the personalities and forces that dominated the art world in the 1990s. See also the 1980s and the 2000s. As curator Gary Carrion-Murayari pointed out, the 1990s had a […]

Continue reading

December 12, 2016

The New York art world: the 1980s

The Larry Qualls Archive of Contemporary Art surveys almost three decades of work exhibited in the New York area from 1988-2012. In this post, we consider the personalities and forces that dominated the art world in the 1980s. See also the 1990s and the 2000s.  Quall’s collection opens during the hurly-burly of the 1980s, the […]

Continue reading

November 11, 2016

Seeing is believing: early war photography

When it comes to modern warfare, we’ve seen so much through photographs: mass graves, explosions, the faces of soldiers the instant they’re shot. And we’ve also seen the aftermath of war–devastated landscapes, soldiers carrying their dead, and returning home to their families. We’ve become accustomed to a depth of visual coverage that has brought deep […]

Continue reading

November 10, 2016

Dada: 100 years of absurdity and radical politics

Our friends at JSTOR Daily remind us that this year marks the centennial of the cacophonous beginnings of the Dada movement in Zurich’s Cabaret Voltaire. An anarchic response to the ravages of World War I, the movement is notoriously difficult to pin down. Matthew Wills writes, “Dada combined absurdity and nonsense, radical politics and anti-politics, […]

Continue reading